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In the reading of both prose and poetry, there is a rhythmic movement that is physiological in its basis. The succession of heavy and light sounds, or accented and unaccented syllables, is in keeping with the action and reaction found in the larynx itself, where an alternate tension and relaxation of the vocal chords takes place. This marking of time is as natural as the beating of the pulse and is essential to musical utterance. Professor Raymond, in “Poetry as a Representative Art,” says: “With exceptions, the fewness of which confirms the rule, all of our English words of more than one syllable must necessarily be accented in one way;

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